The perjury case against baseball star Roger Clemens appeared to be falling apart on Wednesday. Key witness Andy Pettitte, who had previously said Clemens told him he had used human growth hormone, said he was only "50-50" on whether he heard Clemens correctly. And the judge is thinking about striking the Pettitte testimony. Nina Totenberg talks to Robert Siegel.
Maybe you needed a good cry, but you were at work and didn't have easy access to your DVD of "The Notebook." So, you searched for that heart wrenching break-up scene on YouTube and let the tears flow freely.
Could be, nostalgic for times past when "real" men wore suits and drank bourbon, you were itching to watch Humphrey Bogart tell Ingrid Bergman, "Here's lookin' at you kid."
Andy Pettitte leaves the federal court in Washington, D.C., Tuesday. Pettitte took the stand in the retrial of Roger Clemens on charges that Clemens lied when he told Congress in 2008 that he had never used steroids or human growth hormone.
If the prosecution at the Roger Clemens perjury trial hoped for a dramatic showdown on Tuesday, the day was a big disappointment. The prosecution's star witness, Clemens' friend and onetime pitching ace Andy Pettitte, provided as much, if not more, ammunition for the defense.
Clemens is charged with lying to Congress when he testified that he had never used performance-enhancing drugs.
From NPR News, this is ALL THINGS CONSIDERED. I'm Robert Siegel.
AUDIE CORNISH, HOST:
And I'm Audie Cornish.
President Obama flew to Afghanistan today and signed a historic agreement on the future of the U.S. involvement in that country. The president traveled under tight security to Kabul and met with Afghan President Hamid Karzai for a signing ceremony at the palace there.
Francoise Mouly has been The New Yorker's art editor since 1993. From 1980 to 1991 she co-edited the influential comics anthology RAW with husband Art Spiegelman.
This week's cover of the New Yorker magazine is a witty drawing by artist Chris Ware of a playground full of young children and their watchful parents. One woman wheels her son in a stroller, only to see that all the other parents are men. The image is called "Mother's Day."
But for all the memorable New Yorker covers out there, an equally large number of covers didn't make it to the newsstand. They were not quite on the money — or were sometimes a little too coarsely on the money.