Originally published on Thu April 26, 2012 11:17 am
"Difficult" is probably the most tactful word one could use in characterizing Lillian Hellman. If ever there were an author safer to meet through her art rather than in real life, she was the one. Born in New Orleans into a Jewish family, Hellman came of age in the Roaring '20s, liberated by flappers and Freud. Hellman drank like a fish, swore like a sailor and slept around like, well, like most of the men in her literary circle, chief among them Dashiell Hammett, with whom she had an open relationship spanning three decades. She was, recalled one observer, a "tough broad ...
Americans generate more trash than anyone else on the planet: more than 7 pounds per person each day.
About 69 percent of that trash goes immediately into landfills. And most landfill trash is made up of containers and packaging — almost all of which should be recycled, says Pulitzer Prize-winning journalist Edward Humes,
"It's instant trash," he says. "We pay for this stuff, and it goes right into the waste bin, and we're not capturing it the way our recycling programs are intending us to capture it. We're just sticking it in the ground and building mountains out of it."
For the past eight seasons, actor Hugh Laurie has played Dr. Gregory House on the Fox medical series House. House is brash, narcissistic, unsympathetic, addicted to painkillers, confrontational — and 100 percent American.
Laurie is none of those things.
"I am not playing House today, so I am dressed as an Englishman and speaking as an Englishman," he tells Fresh Air's Terry Gross. "I'm wearing a bowler hat and carrying a furled umbrella. It's nice to have a day every now and then off from the vocal exercises."
I, Claudius came to American television, imported from the BBC, in 1977 — the same year as another ambitious long-form production, ABC's Roots, which proved to everyone that miniseries were an exciting and extremely popular new form of television. I, Claudius, shown on the PBS series Masterpiece Theatre, didn't get anything close to the audience that Roots did — but it sure got a lot of attention.
As a little girl, Anna Quindlen wasn't afraid of a whole lot. She frequently got into trouble and occasionally shot off her mouth. But as she grew older, the Pulitzer Prize-winning writer became what she calls a "girl imitation."