Country singer-songwriter Darrell Scott grew up playing with his father, Wayne, and helped his father release a debut album at age 71. They continued to collaborate in recent years.
Last month, Darrell was in Texas in between gigs when he learned that his father had died in a car accident.
In time for the holidays, Fresh Air presents an in-studio concert. Singer Rebecca Kilgore, trombonist Dan Barrett and pianist Rossano Sportiello played at the NOLA studios in Manhattan.
Kilgore is one of the leading interpreters of American songs. She became known for her work with pianist and composer Dave Frishberg.
The late songwriter Hugh Martin wrote "Have Yourself a Merry Little Christmas" for Judy Garland's 1944 movie Meet Me in St. Louis, along with dozens of other songs for MGM and Broadway musicals.
In Beginners — based on director Mike Mills' life--Oliver (Ewan McGregor) finds out his father is gay, and has denied himself throughout his married life. After coming out, Oliver's dad becomes physically and spiritually transformed.
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Pauline Kael was a film critic for The New Yorker from 1967 to 1991, as well as the author of several books, including I Lost It at the Movies and For Keeps: 30 Years at the Movies.
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At the heart of Hell And Back Again is 26-year-old Sgt. Nathan Harris (left). The documentary film — which won the Grand Jury Prize at the 2011 Sundance Film Festival — shows a wounded Harris' struggles with combat stress and addictive opiates following his return to the U.S.
Credit Andrew Cooper / DreamWorks Pictures
Director Steven Spielberg delivers War Horse, an unforgettable odyssey for Albert (Jeremy Irvine) and his horse Joey.
Credit Magnolia Pictures
In Lars von Trier's Melancholia, Kirsten Dunst's lavish wedding takes place as a rogue planet — also called Melancholia — hurtles directly towards Earth.
Fresh Air's film critic David Edelstein says 2011 was the kind of year without a list-topping film.
"There's no best film this year," says Edelstein. "This is in alphabetical order because I liked all these movies, I loved some of them, but I just couldn't pick a best. It wasn't that kind of year."
It may seem counter-intuitive, but the history of world music proves that unfamiliar instruments and rhythms cross borders much more readily than vocal styles. There's no question that, starting in the late '60s, soul and then funk became very popular in sub-Saharan Africa. Decades of reissues show that a lot of players found their way into electric guitar, and that enriching the big beat of the West was a cinch for African percussionists.