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Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

'Dead To Me' Star Christina Applegate: Loss 'Lives In The Fibers Of Your Being': Applegate stars in the new Netflix series as a woman mourning the sudden death of her husband. "I've been there," she says of her character's "messy" and "unapologetic" grief.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Last year ran me ragged. Every comedian feels bad, all the time. That's why we do comedy. But this felt different. Nothing could get me out of bed. It was two months before a shooting at two mosques in New Zealand that would claim the lives of 51 people, and there I was, checking boxes about my thyroid in a surgeon's waiting room:

"Do you sometimes acutely believe that people hate you?" Yes. I'm Muslim and Iranian.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Sequels have come to seem inescapable in movies and TV, where the commercial logic is to keep a franchise going — even if it has nowhere to go. That's why I was leery of Season 2 of Big Little Lies. I'd been a fan of the original HBO series, a sneaky deep blend of satire and mystery that built to a satisfying finale in which its sexually violent villain is killed and the show's five heroines testify that his death was an accident. The story was over. But the show was too successful to end.

When CBS All Access unveiled its new version of The Twilight Zone earlier this year, the general consensus was that the initial episodes in the new series had fallen short of Rod Serling's original version. Not only were they unworthy of The Twilight Zone of old, but they also weren't nearly as good, or as smart, as a show that had begun in England in 2011, Black Mirror.

Christina Applegate describes grief as "completely messy and unexpected and unapologetic." At least that's the way it's portrayed in her new Netflix series, Dead To Me.

The show, which has been described as a "traumedy" (a trauma-infused comedy/drama), centers on two women who meet in a grief support group. Applegate's character, Jen, is dealing with the loss of her husband, who was killed in a hit-and-run car accident.

Editor's note: This story includes graphic descriptions of an alleged sexual assault.

In November 2000, Jim DeRogatis, then music critic at the Chicago Sun-Times, received an anonymous fax in response to a review of he'd written of R&B star R. Kelly's album TP-2.com. The fax, DeRogatis says, read:

Here's an SAT word for you: "aptronym." An aptronym is a proper name that's especially "apt" for describing the person who bears it. Take Usain Bolt, the bolt-of-lighting Jamaican sprinter, or the poet William Wordsworth. Now, add to the list Ocean Vuong.

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