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While votes are counted, NPR's film critic thinks about counting in movies

AILSA CHANG, HOST:

Vote counts might be stressing out a lot of people this election night. And NPR critic Bob Mondello says that he is distracting himself from election-related counting with cinematic counting.

BOB MONDELLO, BYLINE: Hans Gruber didn't have to raise his voice to be scary in "Die Hard." All he had to do was count.

(SOUNDBITE OF FILM, "DIE HARD")

ALAN RICKMAN: (As Hans Gruber) I'm going to count to three. There will not be a four.

MONDELLO: He was a man of his word. Movie villains often are. So are movie heroes, say, Deadpool calculating his odds as he faces a whole lot of bad guys.

(SOUNDBITE OF FILM, "DEADPOOL")

RYAN REYNOLDS: (As Wade Wilson/Deadpool) I only have 12 bullets, so you're going to have to share. Let's count them down.

MONDELLO: This counting bullets thing comes up more often than you might expect in whodunits, especially. Though, as "Clue" established, characters can overthink.

(SOUNDBITE OF FILM, "CLUE")

TIM CURRY: (As Wadsworth) There was one shot at Mr. Boddy in the study, two for the chandelier, two at the lounge door and one for the singing telegram.

LESLEY ANN WARREN: (As Miss Scarlet) That's not six.

CURRY: (As Wadsworth) One plus two plus two plus one.

WARREN: (As Miss Scarlet) Uh-uh. It was only one shot that got the chandelier. That's one plus two plus one plus one.

CURRY: (As Wadsworth) Even if you were right, that will be one plus one plus two plus one, not one plus two plus one plus one.

WARREN: (As Miss Scarlet) OK, fine. One plus two plus - shut up.

MONDELLO: When people are counting in movies, they're either adding things up or building suspense. Either way, there probably isn't a lot going on on-screen. But then there doesn't have to be, if there's, say, a bomb with a digital clock ticking down to zero or, in the case of the Russian sub in "The Hunt For Red October," a torpedo coming that gets counted down and then up to, well, hard to say to what exactly, but Sean Connery gets it right.

(SOUNDBITE OF FILM, "THE HUNT FOR RED OCTOBER")

SAM NEILL: (As Captain Borodin) Torpedo impact now 15 seconds.

(SOUNDBITE OF SONAR PING REPEATING)

SEAN CONNERY: (As Marko Ramius) Sound collision.

NEILL: (As Captain Borodin) Sound collision.

MONDELLO: People count in movies for all kinds of less consequential reasons - to cue the band in musicals like "Chicago"...

(SOUNDBITE OF SONG, "ALL THAT JAZZ")

UNIDENTIFIED ACTOR: (As character) Five, six, seven, eight.

MONDELLO: ...To make sure everyone's lined up for a field trip in "Home Alone," to launch rockets in lots of movies. Films count cards in Vegas, seconds in prize fights, and sometimes filmmakers find a plot-driven reason to count - in "Rain Man," for instance, to give Tom Cruise a peek at the special talents of his autistic brother played by Dustin Hoffman. A waitress has dropped a box of toothpicks, and Hoffman, barely glancing at the floor, sees a pattern.

(SOUNDBITE OF FILM, "RAIN MAN")

DUSTIN HOFFMAN: (As Raymond Babbitt) Eighty-two, 82, 82.

TOM CRUISE: (As Charlie Babbitt) Eighty-two what, Ray?

HOFFMAN: (As Raymond Babbitt) Toothpicks.

CRUISE: (As Charlie Babbitt) Looks a lot more than 82 toothpicks, Ray.

HOFFMAN: (As Raymond Babbitt) Two hundred and forty-six total.

CRUISE: (As Charlie Babbitt) Keep the change.

MONDELLO: Cruise and the waitress look at the box cover.

(SOUNDBITE OF FILM, "RAIN MAN")

CRUISE: (As Charlie Babbitt) How many toothpicks are in it?

BONNIE HUNT: (As Sally Dibbs) Two-fifty.

CRUISE: (As Charlie Babbitt) Pretty close. Come on. Let's go, Ray.

HOFFMAN: (As Raymond Babbitt) Two hundred forty-six.

HUNT: (As Sally Dibbs) There's four left in the box.

MONDELLO: Hoffman took home an Oscar for that role. And J.K. Simmons got one years later playing a tyrannical music teacher in "Whiplash," where the most memorable scene was about counting beats mixed with slaps.

(SOUNDBITE OF FILM, "WHIPLASH")

J K SIMMONS: (As Fletcher) Why do you suppose I just hurled a chair at your head, Neiman?

MILES TELLER: (As Andrew) I don't know.

SIMMONS: (As Fletcher) Sure you do.

TELLER: (As Andrew) The tempo?

SIMMONS: (As Fletcher) Were you rushing, or were you dragging?

TELLER: (As Andrew) I don't know.

SIMMONS: (As Fletcher) Start counting.

TELLER: (As Andrew) Five, six, seven.

SIMMONS: (As Fletcher, yelling) In four, damn it. Look at me.

TELLER: (As Andrew) One, two, three, four.

(SOUNDBITE OF SLAP)

TELLER: (As Andrew) One, two, three, four.

(SOUNDBITE OF SLAP)

TELLER: (As Andrew) One, two, three.

SIMMONS: (As Fletcher) Now, was I rushing, or was I dragging?

TELLER: (As Andrew) I don't know.

SIMMONS: (As Fletcher) Count again.

TELLER: (As Andrew) One, two, three.

(SOUNDBITE OF SLAP)

TELLER: (As Andrew) One, two, three.

(SOUNDBITE OF SLAP)

TELLER: (As Andrew) One, two, three, four.

SIMMONS: (As Fletcher) Rushing or dragging?

TELLER: (As Andrew) Rushing.

SIMMONS: (As Fletcher, yelling) So you do know the difference.

MONDELLO: OK, I've gone down a dark hole looking for distraction. Rest assured, there's plenty of comic counting from "Monty Python's Holy Grail" (ph) hand grenade sequence...

(SOUNDBITE OF FILM, "MONTY PYTHON AND THE HOLY GRAIL")

MICHAEL PALIN: (As Cleric) First, shalt thou take out the Holy Pin. Then shalt thou count to three. Four, shalt thou not count. Neither count thou two.

MONDELLO: ...To Roger Rabbit's haunting love poem that did not win over Jessica Rabbit.

(SOUNDBITE OF FILM, "WHO FRAMED ROGER RABBIT")

CHARLES FLEISCHER: (As Roger Rabbit) How do I love thee? Let me count the ways - one-one thousand, two-one thousand, three-one thousand.

MONDELLO: There is no accounting for taste. I'm Bob Mondello.

(SOUNDBITE OF SONG, "ONE, I LOVE YOU")

HENRY GIBSON AND RONEE BLAKLEY: (As Haven Hamilton and Barbara Jean, singing) One, I love you. Two, I'm thinking of you. Three, I'll never let you go. And four... Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Bob Mondello reviews movies and covers the arts for NPR and shares critiques and commentaries on NPR's award-winning newsmagazine All Things Considered.