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  • When anti-government demonstrations began last year, the Rev. Paolo Dall'Oglio supported the young Syrians calling for democracy. During his three decades in Syria, the Italian Jesuit priest helped restore an ancient monastery outside of Damascus and promoted Christian-Muslim dialogue.
  • Mohammed Tolba is an iPad-toting Egyptian cafe habitue who advocates a purist brand of Islam. He seems to embody the complexities of a country going through a difficult transition.
  • Miles Marshall Lewis draws a line from Prince's concern for his community to the Hip-Hop Nation.
  • Researchers were able to identify 50 people whose DNA had been posted anonymously on the Internet for genetics studies. The results highlight a trade-off in making genetic data widely available for researchers and protecting personal privacy.
  • The fight over the Second Amendment could cost Pennsylvania businesses more than $40 million in lost revenue thanks to the postponement of one of the nation's largest hunting and fishing shows. Event organizers had banned the display of legal assault weapons, leading several vendors to boycott it.
  • For some Americans, next week's inauguration is a time to protest, not celebrate, the beginning of a second term for President Obama.
  • As Patrick Somerville read the scathing New York Times review of his book This Bright River, he realized the whole thing hinged on a factual error. To clear up the mistake, an editor at the Times emailed one of the book's main characters. The two developed what Somerville calls a "ghost relationship."
  • A coalition of more than 1,400 charities is launching Giving Tuesday to jump-start end-of-year giving. They're taking off on Black Friday and Cyber Monday to motivate donors at a time when the outlook for giving remains lackluster.
  • Food can reveal a lot about a person's history and values. A video history project is collecting the public's food memories — from grandma's cornbread to the favorite restaurants of civil rights giants — as a way to document the rituals of a changing South.
  • A play that encourages the audience to keep its phones on, take photos and live-tweet the characters onstage. "All it really did was give me a chance to check my email during the show," contributor Noah Nelson writes.
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