The political consultant Sarah Longwell runs focus groups of voters, and she has a lot of advice for Democrats seeking to wrest control of the government from MAGA. Longwell, a former Republican disaffected from Donald Trump’s party, presents her playbook to the New Yorker staff writer Evan Osnos: go on the offensive talking about corruption; make a positive case for immigration; and adapt to a podcast-driven media environment. “You can go on ‘Joe Rogan’ or not go on ‘Joe Rogan,’ ” she says. “The question is: can you sit for a long period of time and talk to someone who doesn’t know that much about politics and have an engaging conversation? . . . This is how trust is built now, in this screen-to-screen environment.” Longwell’s new book is called “How to Eat an Elephant: One Voter at a Time.” Further listening: “Can Trump Voters Still Change Their Minds?,” an episode of The New Yorker Radio Hour“A G.O.P. Strategist on the Republican Voters Who Could Abandon Trump,” an episode of The Political Scene New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gloria Steinem, who died on September 2nd, at the age of ninety-two, was one of the most influential figures of our time in politics and feminism. Her work shaped the ideas of generations of Americans. Steinem was one of David Remnick’s very first guests after The New Yorker Radio Hour launched, in 2015; her autobiography, “My Life on the Road,” had just come out. Further reading and viewing:“A Feminist Fractal in ‘The Glorias,’ ” by Anthony Lane from 2020“Road Warrior,” by Jane Kramer from 2015“Glora Steinem Doesn’t Drive,” a short film by The New Yorker from 2015“Feminism 101,” by Rebecca Mead from 2013“Cover Woman,” by Hendrik Hertzberg from 1974“Liberation,” by Anthony Hiss, Jane Boutwell, and Hendrik Hertzberg from 1970 New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the film “Coyote vs. Acme,” which was released this week, the ingenious but unlucky Wile E. Coyote sues the Acme Corporation for damages caused by its malfunctioning merchandise. That is also the premise of the New Yorker staff writer Ian Frazier’s original piece, which inspired the film. The screenwriter Samy Burch reimagined Frazier’s premise as a satire of legal thrillers. “What if Wile E. was actually like a Dustin Hoffman character?” Burch wondered. “This guy out in the desert, working on something obsessively, addicted. . . . If this were humans, would the plot make any sense?” The film features actors such as Will Forte alongside Coyote, Foghorn Leghorn, and other “Looney Tunes” characters. Frazier talks with Burch, who was nominated for an Academy Award for “May December,” a drama starring Natalie Portman and Julianne Moore. Further reading: “Coyote V. Acme,” by Ian Frazier “Toons Have Seldom Been Loonier Than in ‘Coyote vs. Acme,’ ” by Justin Chang New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

During the height of Roy Cohn’s friendship with Donald Trump, according to the historian Kai Bird, “they were on the phone with each other a dozen times a day.” Bird’s new book, “American Scoundrel,” details Cohn’s profound influence on Trump—whom he met as a young real-estate heir in the nineteen-seventies—and how Cohn is “haunting” politics in our time. “I had written about Roy Cohn in [previous biographies] as this nefarious, minor, awful figure who was disruptive and divisive and unethical. And I suddenly realized that the establishment that I’d been writing about for forty years is gone. Their values and culture, the politics, the bipartisanship . . . that’s all gone,” he tells David Remnick. “Roy Cohn explains something about the dark side of America that I just didn’t understand.” They discuss Cohn’s early career as a prosecutor and his role as the “mastermind” of the McCarthy purges; his service as a lawyer and fixer for Mafia members, politicians, and celebrities; and an allegation of being involved in sex trafficking. Further reading and listening: “How Roy Cohn Taught Donald Trump Everything,” by Kai Bird and Susan Goldmark “The Mobster Cosplay of Donald Trump,” by David Remnick “Adapting Oppenheimer’s Life Story to Film, with Biographer Kai Bird,” an episode of The New Yorker Radio Hour “Roy Cohn and the Making of a Winner-Take-All America,” by Naomi Fry New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fox News’ “The Five” is the most-watched program on cable news. So there are millions of eyes on Jessica Tarlov, who occupies the liberal hot seat (alternating with Harold Ford, Jr.) on a panel featuring the diehard conservatives Dana Perino, Greg Gutfeld, and Jesse Watters. Her exchanges with fellow-panellists tend to get heated, but Tarlov is constantly aware of how she represents liberal views in front of a largely hostile audience—and of how liberal viewers may misunderstand her colleagues. Her new book, largely inspired by her work on Fox, is called “I Disagree: Winning Arguments Without Losing Friends.” Further listening: “Bret Baier on Trump’s Love-Hate Relationship with Fox News,” an episode of The New Yorker Radio Hour New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the 2026 midterm elections, close finishes in crucial swing states have put a spotlight on the divide between the Democratic Party’s moderate and progressive wings. Jon Lovett straddles that divide. He was a longtime speechwriter for Hillary Clinton and then for Barack Obama, but, as a host of the podcasts “Pod Save America” and “Lovett or Leave It,” he’s been critical of the Party’s establishment. Lovett sat down with David Remnick to answer listeners’ questions about the midterms and what they suggest about the 2028 Presidential election. In a “broad trend,” Lovett says, centrist Democrats “put up candidates, and they say, ‘Vote for us, or else.’ And [voters] just keep picking ‘or else.’ . . . Across the board, I don’t know what this establishment of the Democratic Party stands for, and neither does the country.” Further listening: “ ‘Pod Save America’ ’s Jon Lovett on Trump: ‘The Threat of Jail Time Sharpens the Mind,’ ” an episode of The New Yorker Radio Hour New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Since a famous case against a California utility, the name Erin Brockovich has become synonymous with a fighter taking on big polluters. Earlier this year, Brockovich began receiving e-mails from people worried about the construction of A.I. data centers, which is happening at a frenetic rate all over the country. People expressed concerns about the loss of farmland and natural areas; disruptions to the water table; deleterious noise; and substantial usage of electricity and water, leading to rising utility bills. She speaks with David Remnick about her mapping project to document data-center construction and environmental complaints. “In my thirty years,” she tells Remnick, “I’ve never really seen the people show up like they are at a very local level.” Further reading: “A.I. Is Now a Major Election Issue,” by Benjamin Wallace-Wells “Inside the Data Centers That Train A.I. and Drain the Electrical Grid,” by Stephen Witt New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The data centers that power artificial intelligence are being built at a rampant pace, and are spurring resistance all over the country. Apart from public concerns about A.I.’s impact on jobs, privacy, and other aspects of life, data centers consume vast amounts of electricity and water. New York has passed a moratorium on new data centers; fourteen other states have considered restrictions. The Vermont senator Bernie Sanders is taking this fight to the national level. He and Representative Alexandria Ocasio-Cortez have introduced legislation that calls for a nationwide moratorium on data centers to allow time for more research and public input on the issue. The furor, Sanders tells David Remnick, cuts across political divisions. The opponents “are conservatives, they are progressives, they are moderates,” he adds. “They’re saying, What the hell are we doing? What is this gonna contribute to? Is this gonna result in my kid not being able to have a job? Is this gonna result in my not having any privacy? Why am I aiding these large corporations owned by the wealthiest people in the world who [couldn’t] care less about me? Let’s stand up.” Further reading and listening: “When Bernie Sanders Headed for the Hills,” by Jill Lepore “Bernie Sanders and Alexandria Ocasio-Cortez Fight the Oligarchy,” by Emily Witt “Geoffrey Hinton: ‘It’s Far Too Late’ to Stop Artificial Intelligence,” an episode of The New Yorker Radio Hour New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sam Smith burst onto the music scene in 2014 with their début album, “In the Lonely Hour.” It was one of the best-selling albums of the decade and won Smith three Grammys, for Best Pop Vocal Album and both Record and Song of the Year, for the massive hit “Stay With Me.” Smith’s early hits were ballads of heartbreak and unrequited love, so their new album marks something of a change: it’s an album of love songs, requited in this case. Many were written about Smith’s fiancé, the fashion designer Christian Cowan. Smith talked about the writing process that led to their new album “Hazel Eyes,” which comes out August 21st, with New Yorker Radio Hour producer Jeffrey Masters. Further reading: “Sam Smith’s Sugary Loneliness and the Choir Effect,” by Doreen St. Félix “Getting the James Bond Song Right,” by Ian Crouch New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

One of the biggest stories of this election cycle is the emergence, for the first time in a long time, of socialism as a force on the national stage. Inspired perhaps by Alexandria Ocasio-Cortez and Zohran Mamdani, D.S.A. candidates are running in congressional and state-level races all over the country. But some of those candidates, David Remnick thinks, talk more like F.D.R. Democrats than like students of Marx. How socialist is democratic socialism, and how does it square with the future of the Democratic Party? Remnick talks with a co-chair of the D.S.A., Megan Romer, who recently went viral for a lightning round of questions pitched at her on Fox News. Romer defends controversial D.S.A. positions on workers’ ownership of the means of production, U.S. support of Israel, the war in Ukraine, and defunding the police. Further reading: “Will Left-Wing Democrats Reinvent the Party or Hurt Its Chances in November?,” by Isaac Chotiner “Which Way Should the Democratic Party Go Now?,” by Benjamin Wallace-Wells “An Idea for Democrats to Keep It Together in 2028,” by Bill McKibben “Can Zohran Mamdani Sway the Commie Corridor’s ‘Civil War’?,” by Naaman Zhou “The Woman Who Made the Machine That Made Zohran Mamdani,” by Molly Fischer New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.