It's so easy to fall in love with the music of Mac Ayres. This set, backed by a stunning band, is profoundly satisfying, tastefully arranged and always in the pocket.

In this moving performance, Mon Rovîa's soft, clear voice tackles difficult, yet poignant stories from his own life and the world.

E.U. is an OG of go-go music, a heavily syncopated funk that features a slow and steady groove. Naturally, we celebrate 50 years of the native D.C. music with an office party.

Isaiah Rashad put everything into this Tiny Desk. With bashful charm, the Chattanooga rapper gives an ambitious set of his best work thus far.

"Weird Al" Yankovic returns to the Tiny Desk with a couple parodies, a Weezer pastiche and the Emmy-losing closing-credits blues-rock jam to Weird: The Al Yankovic Story.

Audrey Hobert's catchy pop songs put words to the embarrassing thoughts rolling around in our heads. That funny, yet vulnerable exploration of desire turns out to be a perfect fit for the Desk.

Death Cab for Cutie has a gift for making the ordinary feel breathtaking. The band splits this mostly acoustic set between new songs and fan favorites.

Charlie Puth, one of the biggest pop hitmakers of the last decade, turns the Tiny Desk into a jazz club.

America's darling diva pairs up with the banjo guru of our time for a set of old Appalachian songs about love, loss and the sturdy hope for better times.

New York emcees ELUCID and billy woods ain't just for the heads; it takes a heart to feel what they're putting down. Kenny Segal assembles a killer band to bring their kaleidoscopic hip-hop to life.