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At the Tiny Desk, our small office crowd joins the thousands who have been inside of these power ballads and felt something real.
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Prepare your face to assume and remain in the stank position. It's about to get funky.
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The Doobie Brothers, now more than 50 years in, start this set with "Takin' It to the Streets" and never let off the gas.
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Despite singing of heartbreak or sadness, Emily King's barely-contained excitement brightens the room between each tune.
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The hip-hop band reshapes its hypnotic melodies and serrating beats with the aid of MIDI-triggered robots and a desk full of glass bottles, coffee mugs and a pizza box.
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The French artist strips away the electronics and autotune for piano, acoustic guitar, marimba and an eight-piece choir. The results preserve Oklou's sense of sonic adventure.
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The effervescent pop-rock band is here with a crucial reminder: It's always summer somewhere.
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Backed by a stellar band, the Nigerian artist effortlessly blends the sounds of Afrobeats, amapiano and Fuji in an intimate setting.
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The Berlin-based, Australian band strips down its glossy electro-pop sound, but keeps the sunlit melodies and soulful voices.
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With its fusion of funk, jazz, Afrobeats and R&B, the British band conveys a radical mission to choose joy.
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Kevin Parker takes the less-is-more approach at the Tiny Desk: an all-acoustic set of Tame Impala songs, brilliantly reimagined.
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Silvana Estrada's powerful, yet elegant voice finds a way to bend wounds to her will and become whole.